1619: 400 Years of History

William Wells Brown (1814-1884) was born a slave, escaped to the North and then to England, and became one of the most prominent abolitionists of his time. During his prolific literary career, Brown was a pioneer in several different genres, including travel writing, fiction, and drama. William L. Andrews is E. Maynard Adams Professor of English at the University of North Carolina at Chapel Hill. He is the author of To Tell a Free Story and editor or coeditor of more than thirty books on African American literature.

This book contains two volumes of Brown's writing, with the first work originally published 1848 and the second work originally published in 1880.

Physical book is a 1968 reprint of the 1880 edition. The link directs to a full-text digitized version of the 1880 edition.

Narrative of the author's experiences as a slave in St. Louis and elsewhere.

Part slave narrative, part memoir, and part sentimental fiction, Behind the Scenes depicts Elizabeth Keckley's years as a slave and subsequent four years in Abraham Lincoln's White House during the Civil War. As public drama privately experienced, Keckley's work presents Jefferson Davis and his wife, Abraham Lincoln and Mary Todd Lincoln, and even Stephen Douglas and "Mrs. Senator Douglas" in the foreground, with the war, and slavery as the issue that precipitated it, in the background. Through the eyes of this black woman—an ex-slave, seamstress, and dressmaker—we see a wide range of historical figures and events of the antebellum South, the Washington of the Civil War years, and the final stages of the war.

The physical book available at Milner Library is a contemporary reprint of the second edition, originally published in 1839. The link directs to a full-text digitized version of the original 1839 volume.

Henry Louis Gates, Jr. was Professor of English, Comparative Literature, and Africana Studies at Cornell University, and also tenured at Yale, Duke, and Harvard, where he was appointed W.E.B. DuBois professor of humanities in 1991. Professor Gates is the author of Figures in Black: Words, Signs, and the Racial Self, Wonders of the African World, The Signifying Monkey: A Theory of African-American Literary Criticism, Thirteen Ways of Looking at a Black Man, Loose Cannons: Notes on the Culture Wars, and Colored People: A Memoir. With Cornel West, he co-wrote The African American Century: How Black Americans Have Shaped Our Country and The Future of the Race. He is also the editor of the critically-acclaimed edition of Our Nig, an annotated reprint of Harriet E. Wilson's 1859 novel, The Slave's Narrative (with the late Charles T. Davis), Africana: The Encyclopedia of the African and African-American Experience, Six Women's Slave Narratives, and In the House of Oshugbo: Critical Essays on Wole Soyinka. He is a recipient of the MacArthur Prize.

The ten works collected in this volume demonstrate how a diverse group of writers challenged the conscience of a nation and laid the foundations of the African American literary tradition by expressing their anger, pain, sorrow, and courage. Included in the volume: Narrative of the Most Remarkable Particulars in the Life of James Albert Ukawsaw Gronniosaw; Interesting Narrative of the Life of Olaudah Equiano; The Confessions of Nat Turner; Narrative of the Life of Frederick Douglass; Narrative of William W. Brown; Narrative of the Life and Adventures of Henry Bibb; Narrative of Sojouner Truth; Ellen and William Craft's Running a Thousand Miles for Freedom; Harriet Jacobs' Incidents in the Life of a Slave Girl; and Narrative of the Life of J. D. Green.

These autobiographies of African American ex-slaves comprise the largest body of literature produced by slaves in human history. The book consists of three sections: selected reviews of slave narratives, dating from 1750 to 1861; essays examining how such narratives serve as historical material; and essays exploring the narratives as literary artifacts.